A very long table in the heart of the village of Fontecchio welcomes Ilaria Turba's participatory performance-installation.

The artist's performative research is developed through the construction of a series of alter-egos created over the years. Some of the characters composed the musical band called The Friends, made up of a variable number of members, each with their own aesthetic and character traits. For this occasion, the band acquires a new character made up of a busload of perfumed performers and called I Profumati dell’Aquila.

An evocation of collective memories and personal emotions linked to David Bowie's famous song.

A new project reflecting on the notion of physical and imaginary travel.

Debunking preconceptions that see classical music as intellectual and niche music, Rodion offers an engaging and liberating moment with his DJ set featuring Stravinsky, Bartok, Ravel and Chopin.

The space of the dance floor is reinterpreted in both theatrical and unconventional spaces such as museums, exhibition spaces, foyers, commercial premises, and urban spaces.

A live set with influences of ebm, industrial, synthpunk and noise, plus live photography used as a musical instrument.

Dance talking about dance through dance and blending with it to produce new images.

An immersion in an architecture that becomes a custodian of memories, voices and sensations.

What happens when we look into the deep night and recognise ourselves through singing?

Mirror neurons make it possible to explain physiologically man's ability to relate to other individuals.

Since the beginning of the 21st century, performance has increasingly occupied museum spaces, a sign of a process of historicisation and institutionalisation of the medium that has involved both the live and documentary aspects. This paper analyses the phenomenon of the musealisation of performance, examining recent case studies from some of the major museums in the United States