PERFORMATIVE 06Sunday 13 September
MAXXI L’Aquila
free admittance
your ticket becomes a wristband valid for all three days of PERFORMATIVE 06 on first entry: you’ll be able to access the various events on the programme without needing a new booking for each performance or day, subject to availability.
Slam poetry, notes, gestures: you choose where to stop and watch.
On Sunday, PERFORMATIVE 06 begins anew with words, videos, performances, and sound. The final day of the Festival, dedicated to contemporary creativity, starts early and brings our long weekend to a splendid close.
Once again today, the Museum’s spaces are filled with activities – the corte, the camino hall and the voliera hall, the multi-purpose and video halls, and Piazza Santa Maria Paganica – there is so much to discover and share.
Highlights range, for example, from Bedirhan Dehmen’s dance piece, curated by Silvia Di Gregorio, in The Conference of the Birds, loosely based on the poem of the same name by Farid al-Din ‘Attar, taking the audience on a symbolic journey exploring themes of identity, power and the collective ability to forge alliances; to Valerio Aprea’s paradoxical monologue, The (real) problem with this country, in which he stages a surreal quest to uncover the cause of Italy’s ills. Then, Vittorio Montalti, Giulio Colangelo & Stefania Ballone, alongside Eugenia Brezzi, in Lascaux, combine dance, electronic music, and lighting in an immersive experience that evokes the origins of art as a ritual and collective practice.
All you have to do is choose – or experience it all.
THE PROGRAMME
CORTE
10:20 am
talk • 60′
Roberta Vacca, Vittorio Montalti, Flavia Massimo
Performare Il suono
3:30 pm
talk • 60′
Simone Gozzano, Marco Brandizzi, Diana Anselmo
Performare La parola
4:30 pm
slam poetry • 30′
Matteo Di Genova and Eleonora Fisco
Nel nonsense la parola è alla prova del nulla
The workshop explores performance poetry through slam and spoken word, inviting us to experiment with creative writing and reading as a shared and accessible practice.
CAMINO HALL
10 am / 2:40 pm / 4:50 pm
performance • 10′
Thierry De Mey
Silence must be
In this solo piece, the performer transforms the heartbeat into rhythm, creating a silent, complex composition that blends body, gesture, and musical perception.
10:10 am / 2 pm / 4:40
music • 10′
Pierre Jodlowsky
Time & Money
A performance that reflects on the relationship between time, money and social behaviour, transforming criticism into a sonic and theatrical experience.
10:20 am
music • 20′
Daniele Lombardi, Francesco Filidei
Momento musicale 2 e 3 e Toccata
A piece that transcends traditional musical composition, focusing on gesture, rhythm and tone, in an exploration centred on noise and the physicality of performance.
10:40 am / 2:50 pm / 4 pm
dance • 10′
Lucinda Childs, Philip Glass
Étude 5
A choreography that interweaves essential, repetitive movements with minimalist music, creating a performance of rigorous elegance and evocative power.
10:50 am / 3 pm
dance • 10′
Michele Pogliani, Philip Glass
Étude 6
A danced dialogue with the music of Philip Glass through a dynamic and fluid language, in which gesture and the relationship between bodies create an experience of intense harmony.
11 am / 3:10 pm
danza & live electronics • 30′
Vittorio Montalti, Giulio Colangelo & Stefania Ballone
Lascaux
A performance that weaves together dance, electronic music and lights in an immersive experience evoking the Lascaux caves and the origins of art as a ritual and collective practice.
11:30 am / 3:40 pm
dance • 10′
Shintaro Hirahara, Philip Glass
Étude 1
Set to the music of Philip Glass, the bodies become shifting forms draped in red velvet, creating a succession of powerful images within a mysterious atmosphere.
12:10 pm / 5:30 pm
music • 30′
John Cage
Sonatas & Interludes
A performance of John Cage’s famous cycle for prepared piano, a 20th-century avant-garde masterpiece that redefines the relationship between sound, instrument and listening.
12:40 pm / 5 pm
music • 20′
Steve Reich
Drumming
A masterpiece of minimalism, inspired by the musical traditions of Central Africa, which develops a single pattern through progressive timbral and rhythmic transformations.
2:10 pm / 4:10 pm
music • 20′
Daniele Lombardi, Matthew Shlomowitz
Momento musicale 2 e 3 e Free sound for popular context
A work that combines everyday sounds, recordings and music in an ironic and surprising experience that invites us to listen to what we usually ignore.
3:50 pm
dance • 10′
Lucinda Childs, Philip Glass
Étude 5
A choreography that interweaves essential, repetitive movements with minimalist music, creating a performance of rigorous elegance and evocative power.
ore 4:20 pm
music • 20′
Alvin Curran
For Cornelius
A tribute to the avant-garde composer Cornelius Cardew, in which memory and musical exploration merge in a moving piano piece.
5:20 pm
music • 10′
Javier Álvarez
Temazcal
The sound of maracas intertwines with electronic elements, creating a rhythmic landscape in which different cultures, times and places engage in dialogue through music.
VOLIERA HALL
10 am / 3:10 pm
video • 10′
Sirine Fattouh
Entre les ruines
The video depicts the dancer Alexandre Paulikevitch among the ruins of Bint Jbeil (Lebanon), reflecting through dance on the impossibility of representing the violence of war.
10:10 am / 2:50 pm / 3:50 pm
video • 10′
Jacob TV
Small Pop
A multimedia work based on ‘speech grooves’: live music is synchronised to the millisecond with video clips recorded from international media.
10:20 am / 3:40 pm / 5:30 pm
video • 10′
Rä di Martino
August
In a setting reminiscent of a 1950s film set, two characters sing of wars and political events, in a narrative suspended between cinema and performance.
10:30 am / 2:10 pm / 3:30 pm / 4:40 pm
video and live • 20′
Jacob TV
Syracuse
A minimalist, evocative style highlights the timeless charm of Syracuse’s landscapes, monuments, sea, and everyday scenes.
10:40 am / 2:20 pm
video • 10′
Philip Miller, Llewellyn Mnguni
Étude 16
This choreographer and dancer’s solo explores themes of identity, gender and transformation through the body, in dialogue with Glass’s music performed by Miller.
10:50 am / 3:20 pm
video and live • 10′
Anagoor, Philip Glass
Étude 11
A visual work of intense evocative power, filmed in Şanlıurfa at a historic Sufi dervish school, where image, ritual and music merge into a hypnotic experience.
11:10 am / 2:30 pm
music • 10′
Frederic Rzewski
Attica
A powerful indictment of institutional violence and a tribute to the voices of the oppressed, the work transforms music into an instrument of memory and resistance.
11:20 am / 2:40 pm / 4:50 pm
video and live • 10′
Hiroshi Sugimoto, Philip Glass
Étude 20
As part of the Dancing Glass project, the artist creates the work’s video component, centred on time, light, and empty space.
11:30 am / 4:30 pm
video • 10′
Shirin Neshat, Philip Glass
Étude 1
A reflection on the themes of exile, identity and belonging, transforming images and performative gesture into a poetic meditation on one’s roots.
12:10 pm
con-formance • 50′
Diana Anselmo
Autoritratto in tre atti
The work explores the theme of the view through three perspectives: the experience of one’s own body, the intrusiveness of others’ gazes, and the reappropriation of the self.
4:10 pm
video and live • 20′
Steve Reich, Beryl Korot
Hindenburg from Three Tales
A multimedia work that unfolds through three crucial historical events, symbolising the evolution and risks of scientific progress: Hindenburg, Bikini and Dolly.
5:10 pm
video • 20′
Steve Reich/Beryl Korot
Bikini from Three Tales
A multimedia work that unfolds through three crucial historical events, symbolising the evolution and risks of scientific progress: Hindenburg, Bikini and Dolly.
5:40 pm
video • 20′
Steve Reich/Beryl Korot
Dolly from Three Tales
A multimedia work that unfolds through three crucial historical events, symbolising the evolution and risks of scientific progress: Hindenburg, Bikini and Dolly.
6 pm
con-formance • 30′
Valerio Aprea
Il (vero) problema di questo Paese
A paradoxical monologue that transforms a seemingly insignificant detail into a comic reflection on the surreal quest to identify the cause of Italy’s ills.
MULTI-PURPOSE HALL
11:20 am / 4:20 pm
performance • 40′
Camilla Barbarito and ABAQ students
La foresta di voci
A workshop dedicated to the voice as an instrument of connection and presence, where improvisation, rhythm and collective harmony transform the space and engage the audience.
PIAZZA SANTA MARIA PAGANICA
11:10 am
group performance • 30′
Bedirhan Dehmen a cura di Silvia Di Gregorio
La Conferenza degli uccelli di Farid al-Din ‘Attar
A symbolic journey exploring the themes of identity, power and the collective ability to forge alliances, based on Farid al-Din ‘Attar’s poem of the same name.
