{"id":18814,"date":"2026-08-27T16:01:01","date_gmt":"2026-08-27T14:01:01","guid":{"rendered":"https:\/\/maxxilaquila.art\/?post_type=tribe_events&p=18814"},"modified":"2026-09-11T13:00:23","modified_gmt":"2026-09-11T11:00:23","slug":"performative-06-13september","status":"publish","type":"tribe_events","link":"https:\/\/maxxilaquila.art\/en\/event\/performative-06-13september\/","title":{"rendered":"PERFORMATIVE 06"},"content":{"rendered":"

Slam poetry, notes, gestures: you choose where to stop and watch.<\/span><\/strong><\/h3>\n

On Sunday, PERFORMATIVE 06 begins anew with words, videos, performances, and sound. The final day of the Festival, dedicated to contemporary creativity, starts early and brings our long weekend to a splendid close.<\/p>\n

Once again today, the Museum\u2019s spaces are filled with activities \u2013 the corte, the camino hall and the voliera hall, the multi-purpose and video halls, and\u00a0Piazza Santa Maria Paganica \u2013 there is so much to discover and share.<\/p>\n

Highlights range, for example, from Bedirhan Dehmen\u2019s dance piece, curated by Silvia Di Gregorio, in The Conference of the Birds <\/em>(11:10 am), loosely based on the poem of the same name by Farid al-Din \u2018Attar, taking the audience on a symbolic journey exploring themes of identity, power and the collective ability to forge alliances; to Valerio Aprea\u2019s paradoxical monologue, The (real) problem with this country <\/em>(6 pm), in which he stages a surreal quest to uncover the cause of Italy\u2019s ills. Then, Vittorio Montalti, Giulio Colangelo & Stefania Ballone, in Lascaux<\/em> (two shows at 11 am and 3:10 pm), combine dance, electronic music, and lighting in an immersive experience that evokes the origins of art as a ritual and collective practice.<\/p>\n

All you have to do is choose \u2013 or experience it all.<\/p>\n

THE PROGRAMME<\/strong><\/h3>\n
\n
\n

10\u201411 am<\/a><\/p>\n

\n

10 am<\/strong><\/em> \u2022 camino hall
\nperformance \u2022 10\u2032
\nThierry De Mey<\/strong>
\nSilence must be<\/em>
\nIn this solo piece, the performer transforms the heartbeat into rhythm, creating a silent, complex composition that blends body, gesture, and musical perception.<\/span><\/p>\n

10 am<\/strong><\/em> \u2022 voliera hall
\nvideo \u2022 10\u2019
\nSirine Fattouh<\/strong>
\nEntre les ruines<\/em>
\nThe video depicts the dancer Alexandre Paulikevitch among the ruins of Bint Jbeil (Lebanon), reflecting through dance on the impossibility of representing the violence of war.<\/span><\/p>\n

10 am<\/strong><\/em> \u2022 video hall
\nvideo and live \u2022 10\u2032
\nLuigi Ceccarelli, Fortunato Depero, Achille Perilli<\/strong>
\nPIC<\/em>
\nAchille Perilli\u2019s voice, sampled and fragmented, creates sonic and rhythmic material that establishes a dialogue between technology and percussion.<\/span><\/p>\n

10:10 am<\/strong><\/em> \u2022 camino hall
\nmusic \u2022 10\u2032
\nPierre Jodlowski<\/strong>
\nTime & Money<\/em>
\nA performance that reflects on the relationship between time, money and social behaviour, transforming criticism into a sonic and theatrical experience.<\/span><\/p>\n

10:10 am<\/strong><\/em> \u2022 voliera hall
\nvideo \u2022 10\u2032
\nJacob TV<\/strong>
\nSmall Pop<\/em>
\nA multimedia work based on \u2018speech grooves\u2019: live music is synchronised to the millisecond with video clips recorded from international media.<\/span><\/p>\n

10:10\u201410:50 am<\/strong><\/em> \u2022 video hall
\nvideo \u2022 10\u2032
\nJacob TV<\/strong>
\nTHE NEWS<\/em>
\nA multimedia work based on \u2018speech grooves\u2019: live music is synchronised to the millisecond with video clips recorded from international media.<\/span><\/p>\n

10:20 am<\/strong><\/em> \u2022 Museum\u2019s corte
\ntalk \u2022 60′
\nRoberta Vacca, Vittorio Montalti, Flavia Massimo<\/strong>
\nPerformare Il suono<\/em><\/p>\n

10:20 am<\/strong><\/em> \u2022 voliera hall
\nvideo \u2022 10\u2032
\nR\u00e4 di Martino<\/strong>
\nAugust 2008<\/em>
\nIn a setting reminiscent of a 1950s film set, two characters sing of wars and political events, in a narrative suspended between cinema and performance.<\/span><\/p>\n

10:30 am<\/strong><\/em> \u2022 voliera hall
\nvideo and live \u2022 10\u2019
\nJacob TV<\/strong>
\nSyracuse Blues<\/em>
\nA minimalist, evocative style highlights the timeless charm of Syracuse\u2019s landscapes, monuments, sea, and everyday scenes.<\/span><\/p>\n

10:40 am<\/strong><\/em> \u2022 camino hall
\ndanza \u2022 10\u2019
\nLucinda Childs, Philip Glass<\/strong>
\n\u00c9tude 5<\/em>
\nA choreography that interweaves essential, repetitive movements with minimalist music, creating a performance of rigorous elegance and evocative power.<\/span><\/p>\n

10:40 am<\/strong><\/em> \u2022 voliera hall
\nvideo \u2022 10\u2019
\nPhilip Miller, Llewellyn Mnguni, Philip Glass<\/strong>
\n\u00c9tude 16<\/em>
\nThis choreographer and dancer\u2019s solo explores themes of identity, gender and transformation through the body, in dialogue with Glass\u2019s music performed by Miller.<\/span><\/p>\n

10:50 am<\/strong><\/em> \u2022 camino hall
\ndance \u2022 10\u2019
\nMichele Pogliani, Philip Glass<\/strong>
\n\u00c9tude 6<\/em>
\nA danced dialogue with the music of Philip Glass through a dynamic and fluid language, in which gesture and the relationship between bodies create an experience of intense harmony.<\/span><\/p>\n

10:50 am<\/strong><\/em> \u2022 voliera hall
\nvideo and live \u2022 10\u2019
\nAnagoor, Philip Glass<\/strong>
\n\u00c9tude 11<\/em>
\nA visual work of intense evocative power, filmed in \u015eanl\u0131urfa at a historic Sufi dervish school, where image, ritual and music merge into a hypnotic experience.<\/span><\/p>\n<\/div>\n<\/div>\n

\n
\n

11 am\u201412 noon<\/a><\/p>\n

\n

11 am<\/strong><\/em> \u2022 camino hall
\ndance & live electronics \u2022 30\u2019
\nVittorio Montalti, Giulio Colangelo & Stefania Ballone<\/strong>
\nLascaux<\/em>
\nA performance that weaves together dance, electronic music and lights in an immersive experience evoking the Lascaux caves and the origins of art as a ritual and collective practice.<\/span><\/p>\n

11 am<\/strong><\/em> \u2022 video hall
\nvideo and live \u2022 10\u2032
\nLuigi Ceccarelli, Fortunato Depero, Achille Perilli<\/strong>
\nPIC<\/em>
\nAchille Perilli\u2019s voice, sampled and fragmented, creates sonic and rhythmic material that establishes a dialogue between technology and percussion.<\/span><\/p>\n

11:10 am<\/strong><\/em> \u2022 piazza Santa Maria Paganica
\ngroup performance \u2022 30\u2019
\nBedirhan Dehmen e Silvia Di Gregorio<\/strong>
\nLa Conferenza degli uccelli di Farid al-Din \u2018Attar<\/em>
\nA symbolic journey exploring the themes of identity, power and the collective ability to forge alliances, based on Farid al-Din \u2018Attar\u2019s poem of the same name.<\/span><\/p>\n

11:10\u201411:30 am<\/strong><\/em> \u2022 video hall
\nvideo \u2022 10\u2032
\nJacob TV<\/strong>
\nTHE NEWS<\/em>
\nA multimedia work based on \u2018speech grooves\u2019: live music is synchronised to the millisecond with video clips recorded from international media.<\/span><\/p>\n

11:20 am<\/strong><\/em> \u2022 multi-purpose hall
\nperformance \u2022 40\u2032
\nCamilla Barbarito and ABAQ students<\/strong>
\nLa foresta di voci<\/em>
\nA workshop curated by Prof. Gianni Moretti and Prof. Silvano Manganaro and dedicated to the voice as an instrument of connection and presence, where improvisation, rhythm and collective harmony transform the space and engage the audience.<\/span><\/p>\n

11:10 am<\/strong><\/em> \u2022 voliera hall
\nmusic \u2022 10\u2032
\nFrederic Rzewski<\/strong>
\nAttica<\/em>
\nA powerful indictment of institutional violence and a tribute to the voices of the oppressed, the work transforms music into an instrument of memory and resistance.<\/span><\/p>\n

11:20 am<\/strong><\/em> \u2022 voliera hall
\nvideo and live \u2022 10\u2019
\nHiroshi Sugimoto, Philip Glass<\/strong>
\n\u00c9tude 20<\/em>
\nAs part of the\u00a0Dancing Glass\u00a0project, the artist creates the work\u2019s video component, centred on time, light, and empty space.<\/span><\/p>\n

11:30 am<\/strong><\/em> \u2022 camino hall
\ndance \u2022 10\u2019
\nShintaro Hirahara, Philip Glass<\/strong>
\n\u00c9tude 1<\/em>
\nSet to the music of Philip Glass, the bodies become shifting forms draped in red velvet, creating a succession of powerful images within a mysterious atmosphere.<\/span><\/p>\n

11:30 am<\/strong><\/em> \u2022 voliera hall
\nvideo \u2022 10\u2019
\nShirin Neshat, Philip Glass<\/strong>
\n\u00c9tude 1<\/em>
\nA reflection on the themes of exile, identity and belonging, transforming images and performative gesture into a poetic meditation on one\u2019s roots.<\/span><\/p>\n<\/div>\n<\/div>\n

\n
\n

12 noon\u20141 pm<\/a><\/p>\n

\n

12:10 pm<\/strong><\/em> \u2022 camino hall
\nmusic \u2022 30\u2019
\nJohn Cage<\/strong>
\nSonatas & Interludes<\/em>
\nA performance of John Cage\u2019s famous cycle for prepared piano, a masterpiece of the 20th-century avant-garde that redefines the relationship between sound, instrument and listening.<\/span><\/p>\n

12:10 pm<\/strong><\/em> \u2022 voliera hall
\ncon-formance with sign language translation \u2022 50\u2032
\nDiana Anselmo<\/strong>
\nAutoritratto in tre atti<\/em>
\nThe work explores the theme of the view through three perspectives: the experience of one\u2019s own body, the intrusiveness of others\u2019 gazes, and the reappropriation of the self.<\/span><\/p>\n

12:10 pm<\/strong><\/em> \u2022 video hall
\nvideo and live \u2022 10\u2032
\nLuigi Ceccarelli, Fortunato Depero, Achille Perilli<\/strong>
\nPIC<\/em>
\nAchille Perilli\u2019s voice, sampled and fragmented, creates sonic and rhythmic material that establishes a dialogue between technology and percussion.<\/span><\/p>\n

12:20\u201412:50 pm<\/strong><\/em> \u2022 video hall
\nvideo \u2022 10\u2032
\nJacob TV<\/strong>
\nTHE NEWS<\/em>
\nA multimedia work based on \u2018speech grooves\u2019: live music is synchronised to the millisecond with video clips recorded from international media.<\/span><\/p>\n

12:40 pm<\/strong><\/em> \u2022 camino hall
\nmusic \u2022 20\u2032
\nSteve Reich<\/strong>
\nDrumming<\/em>
\nA masterpiece of minimalism, inspired by the musical traditions of Central Africa, which develops a single pattern through progressive timbral and rhythmic transformations.<\/span><\/p>\n<\/div>\n<\/div>\n

\n
\n

2\u20143 pm<\/a><\/p>\n

\n

2 pm<\/strong><\/em> \u2022 camino hall
\nmusic \u2022 10\u2032
\nPierre Jodlowski<\/strong>
\nTime & Money<\/em>
\nA performance that reflects on the relationship between time, money and social behaviour, transforming criticism into a sonic and theatrical experience.<\/span><\/p>\n

2 pm<\/strong><\/em> \u2022 video hall
\nvideo \u2022 10\u2032
\nJacob TV<\/strong>
\nTHE NEWS<\/em>
\nA multimedia work based on \u2018speech grooves\u2019: live music is synchronised to the millisecond with video clips recorded from international media.<\/span><\/p>\n

2:10 pm<\/strong><\/em> \u2022 camino hall
\nmusic \u2022 20\u2019
\nDaniele Lombardi, Matthew Shlomowitz<\/strong>
\nMomento musicale 2 e 3 e Free sound for popular context<\/em>
\nA work that combines everyday sounds, recordings and music in an ironic and surprising experience that invites us to listen to what we usually ignore.<\/span><\/p>\n

2:10 pm<\/strong><\/em> \u2022 voliera hall
\nvideo and live \u2022 10\u2019
\nJacob TV<\/strong>
\nSyracuse Blues<\/em>
\nA minimalist, evocative style highlights the timeless charm of Syracuse\u2019s landscapes, monuments, sea, and everyday scenes.<\/span><\/p>\n

2:10 pm<\/strong><\/em> \u2022 video hall
\nvideo and live \u2022 10\u2032
\nLuigi Ceccarelli, Fortunato Depero, Achille Perilli<\/strong>
\nPIC<\/em>
\nAchille Perilli\u2019s voice, sampled and fragmented, creates sonic and rhythmic material that establishes a dialogue between technology and percussion.<\/span><\/p>\n

2:20<\/strong><\/em> \u2022 voliera hall
\nvideo \u2022 10\u2019
\nPhilip Miller, Llewellyn Mnguni, Philip Glass<\/strong>
\n\u00c9tude 16<\/em>
\nThis choreographer and dancer\u2019s solo explores themes of identity, gender and transformation through the body, in dialogue with Glass\u2019s music performed by Miller.<\/span><\/p>\n

ore 2:20\u20143 pm<\/strong><\/em> \u2022 video hall
\nvideo \u2022 10\u2032
\nJacob TV<\/strong>
\nTHE NEWS<\/em>
\nA multimedia work based on \u2018speech grooves\u2019: live music is synchronised to the millisecond with video clips recorded from international media.<\/span><\/p>\n

2:30 pm<\/strong><\/em> \u2022 voliera hall
\nmusic \u2022 10\u2032
\nFrederic Rzewski<\/strong>
\nAttica<\/em>
\nA powerful indictment of institutional violence and a tribute to the voices of the oppressed, the work transforms music into an instrument of memory and resistance.<\/span><\/p>\n

2:40 pm<\/strong><\/em> \u2022 camino hall
\nperformance \u2022 10\u2032
\nThierry De Mey<\/strong>
\nSilence must be<\/em>
\nIn this solo piece, the performer transforms the heartbeat into rhythm, creating a silent, complex composition that blends body, gesture, and musical perception.<\/span><\/p>\n

2:40 pm<\/strong><\/em> \u2022 voliera hall
\nvideo and live \u2022 10\u2019
\nHiroshi Sugimoto, Philip Glass<\/strong>
\n\u00c9tude 20<\/em>
\nAs part of the\u00a0Dancing Glass\u00a0project, the artist creates the work\u2019s video component, centred on time, light, and empty space.<\/span><\/p>\n

2:50 pm<\/strong><\/em> \u2022 camino hall
\ndance \u2022 10\u2019
\nLucinda Childs, Philip Glass<\/strong>
\n\u00c9tude 5<\/em>
\nA choreography that interweaves essential, repetitive movements with minimalist music, creating a performance of rigorous elegance and evocative power.<\/span><\/p>\n

2:50 pm<\/strong><\/em> \u2022 voliera hall
\nvideo \u2022 10\u2032
\nJacob TV<\/strong>
\nSmall Pop<\/em>
\nA multimedia work based on \u2018speech grooves\u2019: live music is synchronised to the millisecond with video clips recorded from international media.<\/span><\/p>\n<\/div>\n<\/div>\n

\n
\n

3\u20144 pm<\/a><\/p>\n

\n

3 pm<\/strong><\/em> \u2022 camino hall
\ndance \u2022 10\u2019
\nMichele Pogliani, Philip Glass<\/strong>
\n\u00c9tude 6<\/em>
\nA danced dialogue with the music of Philip Glass through a dynamic and fluid language, in which gesture and the relationship between bodies create an experience of intense harmony.<\/span><\/p>\n

3:10 pm<\/strong><\/em> \u2022 camino hall
\ndance & live electronics \u2022 30\u2019
\nVittorio Montalti, Giulio Colangelo & Stefania Ballone<\/strong>
\nLascaux<\/em>
\nA performance that weaves together dance, electronic music and lights in an immersive experience evoking the Lascaux caves and the origins of art as a ritual and collective practice.<\/span><\/p>\n

3:10 pm<\/strong><\/em> \u2022 voliera hall
\nvideo \u2022 10\u2019
\nSirine Fattouh<\/strong>
\nEntre les ruines<\/em>
\nThe video depicts the dancer Alexandre Paulikevitch among the ruins of Bint Jbeil (Lebanon), reflecting through dance on the impossibility of representing the violence of war.<\/span><\/p>\n

3:10 pm<\/strong><\/em> \u2022 video hall
\nvideo and live \u2022 10\u2032
\nLuigi Ceccarelli, Fortunato Depero, Achille Perilli<\/strong>
\nPIC<\/em>
\nAchille Perilli\u2019s voice, sampled and fragmented, creates sonic and rhythmic material that establishes a dialogue between technology and percussion.<\/span><\/p>\n

3:20 pm<\/strong><\/em> \u2022 voliera hall
\nvideo and live \u2022 10\u2019
\nAnagoor, Philip Glass<\/strong>
\n\u00c9tude 11<\/em>
\nA visual work of intense evocative power, filmed in \u015eanl\u0131urfa at a historic Sufi dervish school, where image, ritual and music merge into a hypnotic experience.<\/span><\/p>\n

3:20\u20144 pm<\/strong><\/em> \u2022 video hall
\nvideo \u2022 10\u2032
\nJacob TV<\/strong>
\nTHE NEWS<\/em>
\nA multimedia work based on \u2018speech grooves\u2019: live music is synchronised to the millisecond with video clips recorded from international media.<\/span><\/p>\n

3:30 pm<\/strong><\/em> \u2022 Museum\u2019s corte
\ntalk with sign language translation \u2022 60′
\nSimone Gozzano, Marco Brandizzi, Diana Anselmo<\/strong>
\nPerformare La parola<\/em><\/p>\n

3:30 pm<\/strong><\/em> \u2022 voliera hall
\nvideo and live \u2022 10\u2019
\nJacob TV<\/strong>
\nSyracuse Blues<\/em>
\nA minimalist, evocative style highlights the timeless charm of Syracuse\u2019s landscapes, monuments, sea, and everyday scenes.<\/span><\/p>\n

3:40 pm<\/strong><\/em> \u2022 camino hall
\ndance \u2022 10\u2019
\nShintaro Hirahara, Philip Glass<\/strong>
\n\u00c9tude 1<\/em>
\nSet to the music of Philip Glass, the bodies become shifting forms draped in red velvet, creating a succession of powerful images within a mysterious atmosphere.<\/span><\/p>\n

3:40 pm<\/strong><\/em> \u2022 voliera hall
\nvideo \u2022 10\u2032
\nR\u00e4 di Martino<\/strong>
\nAugust 2008<\/em>
\nIn a setting reminiscent of a 1950s film set, two characters sing of wars and political events, in a narrative suspended between cinema and performance.<\/span><\/p>\n

3:50 pm<\/strong><\/em> \u2022 voliera hall
\nvideo \u2022 10\u2019
\nJacob TV<\/strong>
\nSmall Pop<\/em>
\nA multimedia work based on \u2018speech grooves\u2019: live music is synchronised to the millisecond with video clips recorded from international media.<\/span><\/p>\n<\/div>\n<\/div>\n

\n
\n

4\u20145 pm<\/a><\/p>\n

\n

4 pm<\/strong><\/em> \u2022 camino hall
\nmusic \u2022 20\u2032
\nDaniele Lombardi, Francesco Filidei<\/strong>
\nMomento musicale 2 e 3 e Toccata<\/em>
\nA piece that transcends traditional musical composition, focusing on gesture, rhythm and tone, in an exploration centred on noise and the physicality of performance.<\/span><\/p>\n

4 pm<\/strong><\/em> \u2022 camino hall
\ndance \u2022 10\u2019
\nLucinda Childs, Philip Glass<\/strong>
\n\u00c9tude 18<\/em>
\nA choreography that interweaves essential, repetitive movements with minimalist music, creating a performance of rigorous elegance and evocative power.<\/span><\/p>\n

4:10 pm<\/strong><\/em> \u2022 camino hall
\nmusic \u2022 20\u2019
\nDaniele Lombardi, Matthew Shlomowitz<\/strong>
\nMomento musicale 2 e 3 e Free sound for popular context<\/em>
\nA work that combines everyday sounds, recordings and music in an ironic and surprising experience that invites us to listen to what we usually ignore.<\/span><\/p>\n

4:10 pm<\/strong><\/em> \u2022 voliera hall
\nvideo and live \u2022 20\u2032
\nSteve Reich, Beryl Korot<\/strong>
\nHindenburg from Three Tales<\/em>
\nA multimedia work that unfolds through three crucial historical events, symbolising the evolution and risks of scientific progress: Hindenburg, Bikini and Dolly.<\/span><\/p>\n

4:10 pm<\/strong><\/em> \u2022 video hall
\nvideo and live \u2022 10\u2032
\nLuigi Ceccarelli, Fortunato Depero, Achille Perilli<\/strong>
\nPIC<\/em>
\nAchille Perilli\u2019s voice, sampled and fragmented, creates sonic and rhythmic material that establishes a dialogue between technology and percussion.<\/span><\/p>\n

4:20 pm<\/strong><\/em> \u2022 camino hall
\nmusic \u2022 20\u2032
\nAlvin Curran<\/em>
\nFor Cornelius<\/strong>
\nA tribute to the avant-garde composer Cornelius Cardew, in which memory and musical exploration merge in a moving piano piece.<\/span><\/p>\n

4:20 am<\/strong><\/em> \u2022 multi-purpose hall
\nperformance \u2022 40\u2032
\nCamilla Barbarito and ABAQ students<\/strong>
\nLa foresta di voci<\/em>
\nA workshop curated by Prof. Gianni Moretti and Prof. Silvano Manganaro and dedicated to the voice as an instrument of connection and presence, where improvisation, rhythm and collective harmony transform the space and engage the audience.<\/span><\/p>\n

4:20\u20144:50 pm<\/strong><\/em> \u2022 video hall
\nvideo \u2022 10\u2032
\nJacob TV<\/strong>
\nTHE NEWS<\/em>
\nA multimedia work based on \u2018speech grooves\u2019: live music is synchronised to the millisecond with video clips recorded from international media.<\/span><\/p>\n

4:30 pm<\/strong><\/em> \u2022 Museum\u2019s corte
\nslam poetry \u2022 30\u2032
\nMatteo Di Genova ed Eleonora Fisco<\/strong>
\nNel nonsense la parola \u00e8 alla prova del nulla<\/em>
\nThe workshop explores performance poetry through slam and spoken word, inviting us to experiment with creative writing and reading as a shared and accessible practice.<\/span><\/p>\n

4:30 pm<\/strong><\/em> \u2022 voliera hall
\nvideo \u2022 10\u2019
\nShirin Neshat, Philip Glass<\/strong>
\n\u00c9tude 1<\/em>
\nA reflection on the themes of exile, identity and belonging, transforming images and performative gesture into a poetic meditation on one\u2019s roots.<\/span><\/p>\n

4:40 pm<\/strong><\/em> \u2022 camino hall
\nmusica \u2022 10\u2032
\nPierre Jodlowski<\/strong>
\nTime & Money<\/em>
\nA performance that reflects on the relationship between time, money and social behaviour, transforming criticism into a sonic and theatrical experience.<\/span><\/p>\n

4:40 pm<\/strong><\/em> \u2022 voliera hall
\nvideo and live \u2022 10\u2019
\nJacob TV<\/strong>
\nSyracuse Blues<\/em>
\nA minimalist, evocative style highlights the timeless charm of Syracuse\u2019s landscapes, monuments, sea, and everyday scenes.<\/span><\/p>\n

4:50 pm<\/strong><\/em> \u2022 camino hall
\nperformance \u2022 10\u2032
\nThierry De Mey<\/strong>
\nSilence must be<\/em>
\nIn this solo piece, the performer transforms the heartbeat into rhythm, creating a silent, complex composition that blends body, gesture, and musical perception.<\/span><\/p>\n

4:50 pm<\/strong><\/em> \u2022 voliera hall
\nvideo and live \u2022 10\u2019
\nHiroshi Sugimoto, Philip Glass<\/strong>
\n\u00c9tude 20<\/em>
\nAs part of the\u00a0Dancing Glass\u00a0project, the artist creates the work\u2019s video component, centred on time, light, and empty space.<\/span><\/p>\n<\/div>\n<\/div>\n

\n
\n

5\u20146 pm<\/a><\/p>\n

\n

5 pm<\/strong><\/em> \u2022 camino hall
\nmusic \u2022 20\u2032
\nSteve Reich<\/strong>
\nDrumming<\/em>
\nA masterpiece of minimalism, inspired by the musical traditions of Central Africa, which develops a single pattern through progressive timbral and rhythmic transformations.<\/span><\/p>\n

5 pm<\/strong><\/em> \u2022 video hall
\nvideo and live \u2022 10\u2032
\nLuigi Ceccarelli, Fortunato Depero, Achille Perilli<\/strong>
\nPIC<\/em>
\nAchille Perilli\u2019s voice, sampled and fragmented, creates sonic and rhythmic material that establishes a dialogue between technology and percussion.<\/span><\/p>\n

5:10 pm<\/strong><\/em> \u2022 voliera hall
\nvideo \u2022 20\u2032
\nSteve Reich, Beryl Korot<\/strong>
\nBikini from Three Tales<\/em>
\nA multimedia work that unfolds through three crucial historical events, symbolising the evolution and risks of scientific progress: Hindenburg, Bikini and Dolly.<\/span><\/p>\n

5:10\u20146 pm<\/strong><\/em> \u2022 video hall
\nvideo \u2022 10\u2032
\nJacob TV<\/strong>
\nTHE NEWS<\/em>
\nA multimedia work based on \u2018speech grooves\u2019: live music is synchronised to the millisecond with video clips recorded from international media.<\/span><\/p>\n

5:20 pm<\/strong><\/em> \u2022 camino hall
\nmusic \u2022 10\u2032
\nJavier \u00c1lvarez<\/strong>
\nTemazcal<\/em>
\nThe sound of maracas intertwines with electronic elements, creating a rhythmic landscape in which different cultures, times and places engage in dialogue through music.<\/span><\/p>\n

5:30 pm<\/strong><\/em> \u2022 camino hall
\nmusic \u2022 30\u2019
\nJohn Cage<\/strong>
\nSonatas & Interludes<\/em>
\nA performance of John Cage\u2019s famous cycle for prepared piano, a masterpiece of the 20th-century avant-garde that redefines the relationship between sound, instrument and listening.<\/span><\/p>\n

5:30 pm<\/strong><\/em> \u2022 voliera hall
\nvideo \u2022 10\u2032
\nR\u00e4 di Martino<\/strong>
\nAugust 2008<\/em>
\nIn a setting reminiscent of a 1950s film set, two characters sing of wars and political events, in a narrative suspended between cinema and performance.<\/span><\/p>\n

5:40 pm<\/strong><\/em> \u2022 voliera hall
\nvideo \u2022 20\u2032
\nSteve Reich, Beryl Korot<\/strong>
\nDolly from Three Tales<\/em>
\nA multimedia work that unfolds through three crucial historical events, symbolising the evolution and risks of scientific progress: Hindenburg, Bikini and Dolly.<\/span><\/p>\n<\/div>\n<\/div>\n

\n
\n

6\u20147 pm<\/a><\/p>\n

\n

6 pm<\/strong><\/em> \u2022 voliera hall
\ncon-formance \u2022 30\u2032
\nValerio Aprea<\/strong>
\nIl (vero) problema di questo Paese<\/em>
\nA paradoxical monologue that transforms a seemingly insignificant detail into a comic reflection on the surreal quest to identify the cause of Italy\u2019s ills.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

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MAXXI L’Aquila<\/em>
\nfree admittance
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