{"id":18807,"date":"2026-08-27T16:01:09","date_gmt":"2026-08-27T14:01:09","guid":{"rendered":"https:\/\/maxxilaquila.art\/?post_type=tribe_events&p=18807"},"modified":"2026-09-11T12:58:30","modified_gmt":"2026-09-11T10:58:30","slug":"performative-06-12september","status":"publish","type":"tribe_events","link":"https:\/\/maxxilaquila.art\/en\/event\/performative-06-12september\/","title":{"rendered":"PERFORMATIVE 06"},"content":{"rendered":"

Words, sound, movement: you choose where to stop and watch.<\/span><\/strong><\/h3>\n

From 12 noon on Saturday, PERFORMATIVE 06 kicks off with the Festival\u2019s grand opening. A chance to tell you how the long weekend of performances ahead of us will unfold.<\/p>\n

Until night, videos, music, and talks fills the Museum\u2019s spaces with creativity: the corte, the camino hall and the voliera hall, the multi-purpose and video halls, and\u00a0Piazza Santa Maria Paganica, directly opposite the entrance to MAXXI L\u2019Aquila.<\/p>\n

The programme ranges, for example, from La foresta di voci <\/em> (two performances at 4:30 pm and 6:30 pm) by Camilla Barbarito with students from ABAQ \u2013 the Academy of Fine Arts in L\u2019Aquila (curated by Prof. Gianni Moretti and Prof. Silvano Manganaro), in which improvisation, rhythm and collective harmony transform the space and engage the audience \u2013 to the grand tribute to Philip Glass by choreographers Michele Pogliani, Lucinda Childs and Shintaro Hirahara, in which the dancers deliver elegant and visually intense performances set to the maestro\u2019s minimalist music. Furthermore, contemporary music blends with electronic and house music in the set by Trixie (9:30 pm), a true Abruzzese, who takes us on a journey through rhythm and experimentation.<\/p>\n

All you have to do is choose \u2013 or experience it all.<\/p>\n

THE PROGRAMME<\/strong><\/h3>\n
\n
\n

12 noon\u20141 pm<\/a><\/p>\n

12 noon<\/em><\/strong> \u2022 Museum\u2019s corte
\nopening\u00a0\u2022 50\u2019<\/div>\n
<\/div>\n
12:50 pm<\/strong><\/em> \u2022 Museum\u2019s corte
\nperformance \u2022 15\u2032
\nGiorgio Battistelli<\/strong>
\nIl combattimento tra Orazi e Curiazi <\/em>
\nA re-enactment of the famous duel through an audio narrative where voice, body and percussion bring to life a performance inspired by the themes of war and conflict.<\/span><\/div>\n
<\/div>\n<\/div>\n
\n
\n

2\u20143pm<\/a><\/p>\n

\n

2\u20144pm<\/strong><\/em> \u2022 Museum\u2019s corte
\nperformance
\nArt on Cards<\/strong>
\nAn invitation to take part first-hand in the conversation game, curated by Bartolomeo Pietromarchi, which brings the public closer to art through the use of cards designed by Francesco Clemente.<\/span><\/p>\n<\/div>\n<\/div>\n

\n
\n

3\u20144 pm<\/a><\/p>\n

\n

3 pm<\/strong><\/em> \u2022 camino hall
\nmusic \u2022 30\u2019
\nJohn Cage<\/strong>
\nSonatas & Interludes<\/em>
\nA performance of John Cage\u2019s famous cycle for prepared piano, a masterpiece of the 20th-century avant-garde that redefines the relationship between sound, instrument and listening.<\/span><\/p>\n

3 pm<\/strong><\/em> \u2022 video hall
\nvideo and live \u2022 10\u2032
\nLuigi Ceccarelli, Fortunato Depero, Achille Perilli<\/strong>
\nPIC<\/em>
\nAchille Perilli\u2019s voice, sampled and fragmented, creates sonic and rhythmic material that establishes a dialogue between technology and percussion.<\/span><\/p>\n

3:10 pm<\/strong><\/em> \u2022 voliera hall
\nvideo and live \u2022 10\u2019
\nJacob TV<\/strong>
\nSyracuse Blues<\/em>
\nA minimalist, evocative style highlights the timeless charm of Syracuse\u2019s landscapes, monuments, sea, and everyday scenes.<\/span><\/p>\n

3:10\u20144 pm <\/strong><\/em> \u2022 video hall
\nvideo \u2022 10\u2032
\nJacob TV<\/strong>
\nTHE NEWS<\/em>
\nA multimedia work based on \u2018speech grooves\u2019: live music is synchronised to the millisecond with video clips recorded from international media.<\/span><\/p>\n

3:20 pm<\/strong><\/em> \u2022 voliera hall
\nvideo and live \u2022 20\u2032
\nSteve Reich, Beryl Korot<\/strong>
\nHindenburg from Three Tales<\/em>
\nA multimedia work that unfolds through three crucial historical events, symbolising the evolution and risks of scientific progress: Hindenburg, Bikini and Dolly.<\/span><\/p>\n

3:30 pm<\/strong><\/em> \u2022 camino hall
\nDance \u2022 10\u2019
\nLucinda Childs, Philip Glass<\/strong>
\n\u00c9tude 5<\/em>
\nA choreography that interweaves essential, repetitive movements with minimalist music, creating a performance of rigorous elegance and evocative power.<\/span><\/p>\n

3:40 pm<\/strong><\/em> \u2022 camino hall
\nDance \u2022 10\u2019
\nMichele Pogliani, Philip Glass<\/strong>
\n\u00c9tude 6<\/em>
\nA danced dialogue with the music of Philip Glass through a dynamic and fluid language, in which gesture and the relationship between bodies create an experience of intense harmony.<\/span><\/p>\n

3:40 pm<\/strong><\/em> \u2022 voliera hall
\nvideo \u2022 10\u2032
\nR\u00e4 di Martino<\/strong>
\nAugust 2008<\/em>
\nIn a setting reminiscent of a 1950s film set, two characters sing of wars and political events, in a narrative suspended between cinema and performance.<\/span><\/p>\n

3:50 pm<\/strong><\/em> \u2022 camino hall
\nmusica \u2022 10\u2032
\nPierre Jodlowski<\/strong>
\nTime & Money<\/em>
\nA performance that reflects on the relationship between time, money and social behaviour, transforming criticism into a sonic and theatrical experience.<\/span><\/p>\n<\/div>\n<\/div>\n

\n
\n

4\u20145 pm<\/a><\/p>\n

\n

4 pm<\/strong><\/em> \u2022 camino hall
\nDance & live electronics \u2022 30\u2019
\nVittorio Montalti, Giulio Colangelo & Stefania Ballone<\/strong>
\nLascaux<\/em>
\nA performance that weaves together dance, electronic music and lights in an immersive experience evoking the Lascaux caves and the origins of art as a ritual and collective practice.<\/span><\/p>\n

4 pm<\/strong><\/em> \u2022 video hall
\nvideo and live \u2022 10\u2032
\nLuigi Ceccarelli, Fortunato Depero, Achille Perilli<\/strong>
\nPIC<\/em>
\nAchille Perilli\u2019s voice, sampled and fragmented, creates sonic and rhythmic material that establishes a dialogue between technology and percussion.<\/span><\/p>\n

4:10 pm<\/strong> \u2022 voliera hall
\nmusic \u2022 10\u2032
\nFrederic Rzewski<\/strong>
\nAttica<\/em>
\nA powerful indictment of institutional violence and a tribute to the voices of the oppressed, the work transforms music into an instrument of memory and resistance.<\/span><\/p>\n

4:10\u20145 pm<\/strong><\/em> \u2022 video hall
\nvideo \u2022 10\u2032
\nJacob TV<\/strong>
\nTHE NEWS<\/em>
\nA multimedia work based on \u2018speech grooves\u2019: live music is synchronised to the millisecond with video clips recorded from international media.<\/span><\/p>\n

4:20 pm<\/strong><\/em> \u2022 voliera hall
\nvideo and live \u2022 10\u2019
\nHiroshi Sugimoto, Philip Glass<\/strong>
\n\u00c9tude 20<\/em>
\nAs part of the\u00a0Dancing Glass\u00a0project, the artist creates the work\u2019s video component, centred on time, light, and empty space.<\/span><\/p>\n

4:30 pm<\/strong><\/em> \u2022 camino hall
\nperformance \u2022 10\u2032
\nThierry De Mey<\/strong>
\nSilence must be<\/em>
\nIn this solo piece, the performer transforms the heartbeat into rhythm, creating a silent, complex composition that blends body, gesture, and musical perception.<\/span><\/p>\n

4:30 pm<\/strong><\/em> \u2022 voliera hall
\nvideo \u2022 10\u2019
\nShirin Neshat, Philip Glass<\/strong>
\n\u00c9tude 1<\/em>
\nA reflection on the themes of exile, identity and belonging, transforming images and performative gesture into a poetic meditation on one\u2019s roots.<\/span>
\n4:30 pm<\/strong><\/em> \u2022 multi-purpose hall
\nperformance \u2022 40\u2032
\nCamilla Barbarito and ABAQ students<\/strong>
\nLa foresta di voci<\/em>
\nA workshop curated by Prof. Gianni Moretti and Prof. Silvano Manganaro and dedicated to the voice as an instrument of connection and presence, where improvisation, rhythm and collective harmony transform the space and engage the audience.<\/span><\/p>\n

4:40 pm<\/strong><\/em> \u2022 camino hall
\ndance \u2022 10\u2019
\nShintaro Hirahara, Philip Glass<\/strong>
\n\u00c9tude 1<\/em>
\nSet to the music of Philip Glass, the bodies become shifting forms draped in red velvet, creating a succession of powerful images within a mysterious atmosphere.<\/span><\/p>\n

4:40 pm<\/strong><\/em> \u2022 voliera hall
\nvideo and live \u2022 20\u2032
\nSteve Reich, Beryl Korot<\/strong>
\nHindenburg from Three Tales<\/em>
\nA multimedia work that unfolds through three crucial historical events, symbolising the evolution and risks of scientific progress: Hindenburg, Bikini and Dolly.<\/span><\/p>\n

4:50 pm<\/strong><\/em> \u2022 camino hall
\nmusic \u2022 20\u2032
\nDaniele Lombardi, Francesco Filidei<\/strong>
\nMomento musicale 2 e 3 e Toccata<\/em>
\nA piece that transcends traditional musical composition, focusing on gesture, rhythm and tone, in an exploration centred on noise and the physicality of performance.<\/span><\/p>\n<\/div>\n<\/div>\n

\n
\n

5\u20146 pm<\/a><\/p>\n

\n

5 pm<\/em><\/strong> \u2022 Museum\u2019s corte
\ntalk \u2022 60\u2019
\nZiad Antar, Giorgio Battistelli, Andrea Cortellessa<\/strong>\u2028Performare Il corpo<\/em><\/p>\n

5 pm<\/strong><\/em> \u2022 video hall
\nvideo and live \u2022 10\u2032
\nLuigi Ceccarelli, Fortunato Depero, Achille Perilli<\/strong>
\nPIC<\/em>
\nAchille Perilli\u2019s voice, sampled and fragmented, creates sonic and rhythmic material that establishes a dialogue between technology and percussion.<\/span><\/p>\n

5:10 pm<\/strong><\/em> \u2022 voliera hall
\nvideo \u2022 20\u2032
\nSteve Reich, Beryl Korot<\/strong>
\nBikini from Three Tales<\/em>
\nA multimedia work that unfolds through three crucial historical events, symbolising the evolution and risks of scientific progress: Hindenburg, Bikini and Dolly.<\/span><\/p>\n

5:10 pm<\/strong><\/em> \u2022 voliera hall
\nvideo \u2022 10\u2019
\nSirine Fattouh<\/strong>
\nEntre les ruines<\/em>
\nThe video depicts the dancer Alexandre Paulikevitch among the ruins of Bint Jbeil (Lebanon), reflecting through dance on the impossibility of representing the violence of war.<\/span><\/p>\n

5:10\u20146 pm<\/strong><\/em> \u2022 video hall
\nvideo \u2022 10\u2032
\nJacob TV<\/strong>
\nTHE NEWS<\/em>
\nA multimedia work based on \u2018speech grooves\u2019: live music is synchronised to the millisecond with video clips recorded from international media.<\/span><\/p>\n

5:20 pm<\/strong><\/em> \u2022 voliera hall
\nvideo \u2022 10\u2019
\nPhilip Miller, Llewellyn Mnguni, Philip Glass<\/strong>
\n\u00c9tude 16<\/em>
\nThis choreographer and dancer\u2019s solo explores themes of identity, gender and transformation through the body, in dialogue with Glass\u2019s music performed by Miller.<\/span><\/p>\n

5:30 pm<\/strong><\/em> \u2022 camino hall
\nmusic \u2022 10\u2032
\nJavier \u00c1lvarez<\/strong>
\nTemazcal<\/em>
\nThe sound of maracas intertwines with electronic elements, creating a rhythmic landscape in which different cultures, times and places engage in dialogue through music.<\/span><\/p>\n

5:40 pm<\/strong><\/em> \u2022 camino hall
\nmusic \u2022 20\u2032
\nAlvin Curran<\/em>
\nFor Cornelius<\/strong>
\nA tribute to the avant-garde composer Cornelius Cardew, in which memory and musical exploration merge in a moving piano piece.<\/span><\/p>\n

5:40 pm<\/strong><\/em> \u2022 piazza Santa Maria Paganica
\ngroup performance \u2022 30\u2019
\nBedirhan Dehmen and Silvia Di Gregorio<\/strong>
\nLa Conferenza degli uccelli di Farid al-Din \u2018Attar<\/em>
\nA symbolic journey exploring the themes of identity, power and the collective ability to forge alliances, based on Farid al-Din \u2018Attar\u2019s poem of the same name.<\/span><\/p>\n

5:50 pm<\/strong><\/em> \u2022 voliera hall
\nvideo \u2022 10\u2019
\nShirin Neshat, Philip Glass<\/strong>
\n\u00c9tude 1<\/em>
\nA reflection on the themes of exile, identity and belonging, transforming images and performative gesture into a poetic meditation on one\u2019s roots.<\/span><\/p>\n<\/div>\n<\/div>\n

\n
\n

6\u20147 pm<\/a><\/p>\n

\n

6:30 pm<\/strong><\/em> \u2022 camino hall
\nmusic \u2022 10\u2032
\nPierre Jodlowski<\/strong>
\nTime & Money<\/em>
\nA performance that reflects on the relationship between time, money and social behaviour, transforming criticism into a sonic and theatrical experience.<\/span><\/p>\n

6:30 pm<\/strong><\/em> \u2022 voliera hall
\nvideo and live \u2022 10\u2019
\nAnagoor, Philip Glass<\/strong>
\n\u00c9tude 11<\/em>
\nA visual work of intense evocative power, filmed in \u015eanl\u0131urfa at a historic Sufi dervish school, where image, ritual and music merge into a hypnotic experience.<\/span><\/p>\n

6:30 pm<\/strong><\/em> \u2022 multi-purpose hall
\nperformance \u2022 40\u2032
\nCamilla Barbarito and ABAQ students<\/strong>
\nLa foresta di voci<\/em>
\nA workshop curated by Prof. Gianni Moretti and Prof. Silvano Manganaro and dedicated to the voice as an instrument of connection and presence, where improvisation, rhythm and collective harmony transform the space and engage the audience.<\/span><\/p>\n

6:30\u20147 pm<\/strong><\/em> \u2022 video hall
\nvideo \u2022 10\u2032
\nJacob TV<\/strong>
\nTHE NEWS<\/em>
\nA multimedia work based on \u2018speech grooves\u2019: live music is synchronised to the millisecond with video clips recorded from international media.<\/span><\/p>\n

6:40 pm<\/strong><\/em> \u2022 voliera hall
\nvideo and live \u2022 20\u2032
\nSteve Reich, Beryl Korot<\/strong>
\nHindenburg from Three Tales<\/em>
\nA multimedia work that unfolds through three crucial historical events, symbolising the evolution and risks of scientific progress: Hindenburg, Bikini and Dolly.<\/span><\/p>\n<\/div>\n<\/div>\n

\n
\n

7\u20148 pm<\/a><\/p>\n

\n

7 pm<\/strong><\/em> \u2022 video hall
\nvideo and live \u2022 10\u2032
\nLuigi Ceccarelli, Fortunato Depero, Achille Perilli<\/strong>
\nPIC<\/em>
\nAchille Perilli\u2019s voice, sampled and fragmented, creates sonic and rhythmic material that establishes a dialogue between technology and percussion.<\/span><\/p>\n

7:10 pm<\/strong><\/em> \u2022 camino hall
\nmusic \u2022 20\u2032
\nSteve Reich<\/strong>
\nDrumming<\/em>
\nA masterpiece of minimalism, inspired by the musical traditions of Central Africa, which develops a single pattern through progressive timbral and rhythmic transformations.<\/span><\/p>\n

7:10 pm<\/strong><\/em> \u2022 voliera hall
\nvideo \u2022 10\u2019
\nJacob TV<\/strong>
\nSmall Pop<\/em>
\nA multimedia work based on \u2018speech grooves\u2019: live music is synchronised to the millisecond with video clips recorded from international media.<\/span><\/p>\n

7:10\u20148 pm<\/strong><\/em> \u2022 video hall
\nvideo \u2022 10\u2032
\nJacob TV<\/strong>
\nTHE NEWS<\/em>
\nA multimedia work based on \u2018speech grooves\u2019: live music is synchronised to the millisecond with video clips recorded from international media.<\/span><\/p>\n

7:20 pm<\/strong><\/em> \u2022 voliera hall
\nvideo \u2022 20\u2032
\nSteve Reich, Beryl Korot<\/strong>
\nDolly from Three Tales<\/em>
\nA multimedia work that unfolds through three crucial historical events, symbolising the evolution and risks of scientific progress: Hindenburg, Bikini and Dolly.<\/span><\/p>\n

7:30 pm<\/strong><\/em> \u2022 camino hall
\nmusic \u2022 10\u2032
\nJavier \u00c1lvarez<\/strong>
\nTemazcal<\/em>
\nThe sound of maracas intertwines with electronic elements, creating a rhythmic landscape in which different cultures, times and places engage in dialogue through music.<\/span><\/p>\n

7:40 pm<\/strong><\/em> \u2022 camino hall
\nperformance \u2022 10\u2032
\nThierry De Mey<\/strong>
\nSilence must be<\/em>
\nIn this solo piece, the performer transforms the heartbeat into rhythm, creating a silent, complex composition that blends body, gesture, and musical perception.<\/span><\/p>\n

7:40 pm<\/strong><\/em> \u2022 voliera hall
\nvideo and live \u2022 10\u2019
\nHiroshi Sugimoto, Philip Glass<\/strong>
\n\u00c9tude 20<\/em>
\nAs part of the\u00a0Dancing Glass\u00a0project, the artist creates the work\u2019s video component, centred on time, light, and empty space.<\/span><\/p>\n

7:50 pm<\/strong><\/em> \u2022 camino hall
\ndance \u2022 10\u2019
\nLucinda Childs, Philip Glass<\/strong>
\n\u00c9tude 5<\/em>
\nA choreography that interweaves essential, repetitive movements with minimalist music, creating a performance of rigorous elegance and evocative power.<\/span><\/p>\n

7:50 pm<\/strong><\/em> \u2022 voliera hall
\nmusic \u2022 10\u2032
\nFrederic Rzewski<\/strong>
\nAttica<\/em>
\nA powerful indictment of institutional violence and a tribute to the voices of the oppressed, the work transforms music into an instrument of memory and resistance.<\/span><\/p>\n<\/div>\n<\/div>\n

\n
\n

8\u20149 pm<\/a><\/p>\n

\n

8 pm<\/strong><\/em> \u2022 Museum\u2019s corte
\nperformance \u2022 30\u2019
\nToti Scialoja curated by Ariele Vincenti<\/strong>
\nLa carpa che ama l\u2019arpa<\/em>
\nA performance led by Ariele Vincenti that transforms the play of nonsense and rhymes into a universe of gestures, sounds and vocalisations, featuring students from the University of L\u2019Aquila.<\/span><\/p>\n

8 pm<\/strong><\/em> \u2022 camino hall
\ndance \u2022 10\u2019
\nMichele Pogliani, Philip Glass<\/strong>
\n\u00c9tude 6<\/em>
\nA danced dialogue with the music of Philip Glass through a dynamic and fluid language, in which gesture and the relationship between bodies create an experience of intense harmony.<\/span><\/p>\n

8:10 pm<\/strong><\/em> \u2022 camino hall
\ndance & live electronics \u2022 30\u2019
\nVittorio Montalti, Giulio Colangelo & Stefania Ballone<\/strong>
\nLascaux<\/em>
\nA performance that weaves together dance, electronic music and lights in an immersive experience evoking the Lascaux caves and the origins of art as a ritual and collective practice.<\/span><\/p>\n

8:10 pm<\/strong><\/em> \u2022 voliera hall
\nvideo and live \u2022 10\u2019
\nAnagoor, Philip Glass<\/strong>
\n\u00c9tude 11<\/em>
\nA visual work of intense evocative power, filmed in \u015eanl\u0131urfa at a historic Sufi dervish school, where image, ritual and music merge into a hypnotic experience.<\/span><\/p>\n

8:10\u20149 pm<\/strong><\/em> \u2022 video hall
\nvideo \u2022 10\u2032
\nJacob TV<\/strong>
\nTHE NEWS<\/em>
\nA multimedia work based on \u2018speech grooves\u2019: live music is synchronised to the millisecond with video clips recorded from international media.<\/span><\/p>\n

8:20 pm<\/strong><\/em> \u2022 voliera hall
\nvideo \u2022 10\u2019
\nSirine Fattouh<\/strong>
\nEntre les ruines<\/em>
\nThe video depicts the dancer Alexandre Paulikevitch among the ruins of Bint Jbeil (Lebanon), reflecting through dance on the impossibility of representing the violence of war.<\/span><\/p>\n

8:30 pm<\/strong><\/em> \u2022 voliera hall
\nvideo and live \u2022 10\u2019
\nJacob TV<\/strong>
\nSyracuse Blues<\/em>
\nA minimalist, evocative style highlights the timeless charm of Syracuse\u2019s landscapes, monuments, sea, and everyday scenes.<\/span><\/p>\n

8:40 pm<\/strong><\/em> \u2022 camino hall
\ndance \u2022 10\u2019
\nShintaro Hirahara, Philip Glass<\/strong>
\n\u00c9tude 1<\/em>
\nSet to the music of Philip Glass, the bodies become shifting forms draped in red velvet, creating a succession of powerful images within a mysterious atmosphere.<\/span><\/p>\n

8:40 pm<\/strong><\/em> \u2022 voliera hall
\nvideo \u2022 10\u2032
\nR\u00e4 di Martino<\/strong>
\nAugust 2008<\/em>
\nIn a setting reminiscent of a 1950s film set, two characters sing of wars and political events, in a narrative suspended between cinema and performance.<\/span><\/p>\n

8:40 pm<\/strong><\/em> \u2022 Museum\u2019s corte
\nslam poetry \u2022 30\u2032
\nMatteo Di Genova ed Eleonora Fisco<\/strong>
\nNel nonsense la parola \u00e8 alla prova del nulla<\/em>
\nThe workshop explores performance poetry through slam and spoken word, inviting us to experiment with creative writing and reading as a shared and accessible practice.<\/span><\/p>\n

8:50 pm<\/strong><\/em> \u2022 camino hall
\ndance \u2022 10\u2019
\nLucinda Childs, Philip Glass<\/strong>
\n\u00c9tude 18<\/em>
\nA choreography that interweaves essential, repetitive movements with minimalist music, creating a performance of rigorous elegance and evocative power.<\/span><\/p>\n<\/div>\n<\/div>\n

\n
\n

9\u201411 pm<\/a><\/p>\n

\n

9 pm<\/strong><\/em> \u2022 voliera hall
\nvideo \u2022 10\u2019
\nShirin Neshat, Philip Glass<\/strong>
\n\u00c9tude 1<\/em>
\nA reflection on the themes of exile, identity and belonging, transforming images and performative gesture into a poetic meditation on one\u2019s roots.<\/span><\/p>\n

9:30 pm<\/strong><\/em> \u2022 piazza Santa Maria Paganica
\nDJ set \u2022 90\u2019
\nTrixie<\/strong>
\n The DJ from Abruzzo, active on the Roman scene, presents a set that weaves house, electronic, and contemporary sounds into a rhythmic, experimental journey. <\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Words, sound, movement: you choose where to stop and watch.<\/p>\n","protected":false},"author":11,"featured_media":18793,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[386],"tribe_events_cat":[219],"class_list":["post-18807","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tag-performative-06-en","tribe_events_cat-event","cat_event"],"acf":{"sottotitolo":"","sottotitolo_vero":"Saturday 12 September","info_varie":"

MAXXI L’Aquila<\/em>
\nfree admittance
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